My new blog is here! Yay! Nate and I have been working together on this new blog design for a couple months now (and by “working together,” I mean he does all the actual work and I tell him if I like it or not. Wink!), and while it’s still a work in progress, we’re both really excited about how it has come together. I nixed the ‘Articulation Ad Infinitum’ title in favor of a more simple one, ‘GOOD,’ and Nate incorporated the Space Needle and one of my favorite Steinbeck quotes into the header brilliantly. I love the clean simplicity of my new blog design but I the thing that I absolutely love about it is that it allows me to post larger photos than the old blog…. I love seeing the large-scale detail of some of my film photos in the new design! I’m totally stoked to have a shiny new profesh-looking blog to share with the world. Check it here:
NOTE: this will be last new post that will appear on my kendallgoodwin.wordpress.com blog; all new posts from this point forward will be posted on kendallgoodwin.com. Come away with me to a brave new world!
“No man is a failure who has friends.”
Merry Christmas, friends.
“After two years we felt that we could approach your sixteen verses of the fourth chapter of Genesis. My old gentlemen felt that these words were very important too—‘Thou shalt’ and ‘Do thou.’ And this was the gold from our mining: ‘Thou mayest.’ ‘Thou mayest rule over sin.’ The old gentlemen smiled and nodded and felt the years were well spent. It brought them out of their Chinese shells too, and right now they are studying Greek.”
Samuel said, “It’s a fantastic story. And I’ve tried to follow and maybe I’ve missed somewhere. Why is this word so important?”
Lee’s hand shook as he filled the delicate cups. He drank his down in one gulp. “Don’t you see?” he cried. “The American Standard translation orders men to triumph over sin, and you can call sin ignorance. The King James translation makes a promise in ‘Thou shalt,’ meaning that men will surely triumph over sin. But the Hebrew word, the word timshel—‘Thou mayest’— that gives a choice. It might be the most important word in the world. That says the way is open. That throws it right back on a man. For if ‘Thou mayest’—it is also true that ‘Thou mayest not.’”
– John Steinbeck, East of Eden
East of Eden is my favorite book of all time, and I knew the moment I first read these three paragraphs that I had encountered something profound. I think the words “thou mayest” are emblematic of the balance of free will, equal parts all-encompassing possibility and personal morality, and that’s an emblem I don’t mind having on my body forever. 2012 was the year of no regrets, and getting my first tattoo hasn’t upset the year’s theme: I love my tattoo, and I’m glad I did it. Now, on to the next.
My tattoo was done by Chris at Liberty Tattoo in Seattle, Washington.
Posted in 24 Before 25, Literary Giants, The Life de la Kendall
Tagged 24 before 25, east of eden, free will, freedom, john steinbeck, liberty tattoo, morality, possibility, regret, tattoo, thou mayest
“When LIFE magazine’s Gjon Mili, a technical prodigy and lighting innovator, visited Pablo Picasso in the South of France in 1949, it was clear that the meeting of these two artists and craftsmen was bound to result in something extraordinary. Mili showed Picasso some of his photographs of ice skaters with tiny lights affixed to their skates, jumping in the dark — and the Spanish genius’s lively, ever-stirring mind began to race.
Picasso… gave Mili 15 minutes to try one experiment. He was so fascinated by the result that he posed for five sessions, projecting 30 drawings of centaurs, bulls, Greek profiles and his signature. Mili took his photographs in a darkened room, using two cameras, one for side view, another for front view. By leaving the shutters open, he caught the light streaks swirling through space.”
I’m in love with these “light drawings,” drawn by Pablo Picasso and photographed by Gjon Mili, that were recently released by LIFE Magazine. They’re amazing! The photography technique is at once simplistic and mind-blowing, and I find these images particularly magical: the way they tangibly capture the nuanced and transient movements of light, the way they translate a fleeting, flourished motion into art and illustrate Picasso’s creative genius. It’s incredible.
You can see more of Picasso’s light drawings here.
My good friend Bekah has been on a collaging kick as of late, and she invited me over a couple nights ago for a drink-PBR-and-make-collages night. I was a little skeptical at first, but once I got going, I slipped into a creative trance that I wanted to live in forever, cutting and gluing and arranging and rearranging. I was lamenting to a friend the other day how difficult it is to pursue creative projects that are free, but collaging seems an excellent solution to that dilemma: Bekah picked up a couple issues of National Geographic from the 1950s and 1940s from Half Price Books for just a couple dollars each, and I was amazed at how instantaneously and tangibly good it felt to be creating with my hands. I’m a collaging convert, guys.
On a related note, the photographs from the old National Geographics that we used for collaging are incredible. Truly some of the most amazing compositions and subjects I’ve ever seen. And it’s so fascinating to compare these dreamy, fuzzy-around-the-edges photos from the 40s and 50s to the crystal-clear sharpness of present-day photography. It’s what we’ve come to expect from our photos, I guess, but I think I prefer the more approximate old style. There’s a sort of magic and mystery in the diminished detail of the old photos that’s really enchanting because, as Bekah astutely noted, they’re not trying to be so literal. All of which is to say: I’m heading to Half Price Books immediately to pore through more of these amazing NatGeo photo archives, and to bring a few home for another collage night.